Reviews

The last king of Scotland.

7th March 2013 / New Statesman

A biographer awestruck by his subject.

25th October 2012 / New Statesman

Though tortured by isolation and his fastidious intellect, David Foster Wallace produced work that will endure.

14th September 2012 / Financial Times

How football, the working man’s passion, united a father and son.

24th August 2012 / Financial Times

The intrigue of Canada, this novel of crime and punishment, is not what happens and when but how and why.

2nd June 2012 / Financial Times

When Hank Haney declares that Tiger Woods is the “human being who’s fallen faster than anyone else in history”, you forgive the hyperbole because he speaks as a sportsman.

16th May 2012 / New Statesman

In his meditation on Graham Greene, the author reflects on his own journey.

5th May 2012 / Financial Times

Christopher Hitchens’ fierce certainties make for fine polemic but they have often obscured reality.

23rd September 2011 / Financial Times

Matthew Hollis pays tribute to Edward Thomas, the first world war poet who immortalised the beauty of England.

6th August 2011 / Financial Times

The setting of The Stranger’s Child feels immediately familiar, as do the ironies – elegant people partying on the edge of the abyss.

24th June 2011 / Financial Times

At its best, V S Naipaul’s Masque of Africa is marked by moments of startling clarity and insight.

6th September 2010 / New Statesman
Ian McEwan excels at climate science but his one-dimensional protagonist makes you shudder.
14th March 2010 / The Observer

Sex, death, loneliness, old age: yes, it’s another Roth novel. But this time, is the great American.

29th October 2009 / The Observer

Jay McInerney’s bright lights may have been dimmed but sex in the city remains a constant source of satire, writes Jason Cowley.

11th January 2009 / The Observer

In investigating what sets geniuses apart, is Malcolm Gladwell also asking what makes him so special, wonders Jason Cowley.

23rd November 2008 / The Observer

Sex and death are once again the central preoccupations of Philip Roth’s latest novel, a poignant addition to his rich late period.

14th September 2008 / The Observer

Haruki Murakami runs miles every day to keep fit for writing. Here he combines his two loves.

10th August 2008 / The Observer

Lahiri is presently probably the most influential writer of fiction in America.

9th June 2008 / Financial Times

For writers of colonial fiction, Africa held a dark erotic attraction, even if the message underlying their work was that Europeans have no place there.

1st June 2008 / New Statesman

No matter which name Philip Roth chooses for his narrators or fictional alter egos, whether it is Nathan Zuckerman, David Kepesh or indeed even, slyly, Philip Roth, they invariably share many of the same urgent preoccupations.

20th October 2007 / Financial Times